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Getting Your Butterflies To Fly In Formation: A Guide To Using Anxiety To Benefit Performance - Part 2

In part one we looked at what we needed to do to get our butterflies to fly in formation by identifying the level of arousal that works best for you, positively viewing symptoms of anxiety and ways of increasing self confidence.

In part two we’ll look at:

  • understanding how motivation and goal setting can be used on a day to day basis to reduce stress
  • how to manage stress, anxiety and arousal on the day of a big event, presentation or competition

 

Understanding motivation

It is a commonly held belief that individuals are either motivated or they are not. In other words, motivation is something you are born with and if not, you will need motivating by someone or something. The reality, as always, is more complicated!

Most people are motivated to do things that are enjoyable or at which they are successful. The challenge is how to keep motivated when things are not going well. Studies have shown that motivation is strengthened when individuals feel competent and in control of their performance. This sense of control and competence can be influenced both positively and negatively by your attributions.

Attributions are the reasons we give to explain why something happened, such as your skill or ability, the difficulty of the task, the effort you put in or luck. The attributions you make for your success or failure is important as it affects your motivation levels and your future expectation of success or failure. The way you explain your performance provides key information about how you view the level of control and influence you have over it. If you tend to take sole responsibility for the outcome, success or failure, you are considered to have an internal locus of control. If you tend to put good or bad outcomes down to factors outside of your control you are considered to have an external locus of control.

Why does this matter?

Individuals who have an internal locus of control believe that what they do influences the outcome they get. They will often explain their performance in terms of the effort they put in and the skills they have. Attributing outcomes to your own efforts creates emotions like pride “my preparation paid off”. This internalising of success helps to increase self-confidence.

Individuals who have an external locus of control believe outcomes are influenced by external factors such as luck, fate or other people / circumstances. When successful they tend to believe they have little control over the outcome and as a result can become de-motivated – “nothing I do makes any difference”, “I’m just unlucky”. Attributing failure to external factors can lead to frustration and anger as you feel powerless to do anything to change the outcome in the future.

To increase your feelings of control and competence, view any success as something within your control and unlikely to change. View a lack of success as temporary and within your ability to change. To protect against feelings of helplessness consider if any error or below expected performance can be attributed to lack of effort, lack of preparation, lack of practice or anything else that is within your control and could be done differently. This helps to promote motivation and encourage a positive attitude.

Goal setting (not the SMART variety!)

The goals you set should be performance related (within your control) rather than outcome related (outside of your control e.g. winning). Goals that focus on gains in skills and knowledge, effort levels and self-determined criteria for success (what success looks like to you) are more likely to increase motivation. To be a motivating force, success must be seen in terms of you exceeding your own goals rather than surpassing the performance of someone else.

There is a commonly held belief that all goals should be realistic, flexible and within a time frame. However, if the purpose of your goal setting is to get your butterflies to fly in formation, they need to provide a purpose for your efforts, help to identify any training or work needed and to highlight progress and improvement. If goals have too rigid a time frame they can actually be de-motivating and set you up to fail.

Aim to set yourself performance goals. These are goals that relate to improving your own personal best performance or improving compared to previous performances. Research suggests that individuals who set performance goals are more likely to adopt a problem solving approach to difficulties. They rarely perceive unsuccessful results as failure and instead develop strategies to overcome difficulties and demonstrate tremendous persistence in the face of adversity.

Process goals are there to support your performance goals. They should identify the actions, techniques or skills that are required to achieve success. They will be within your control and will contribute to achieving your performance goals.

There is nothing wrong with outcome goals (winning or beating someone else) as long as you recognise that they are less effective than performance goals because you only have partial control over the result. Focusing purely on the result can increase anxiety and reduce confidence and motivation.

The fundamental principle behind goal setting is for you to assess where you are currently, where you want to be and what steps you need to take to close the gap between the two.

Managing stress, anxiety and arousal

Finally your butterflies are flying in a formation that works for you!

Psychological skills training should be approached in the same way as any other training and include regular practice of at least 10-15 minutes per day, 3-5 times per week. You may need to experiment with several techniques to find the most effective strategy to maintain the level of arousal that works for you.

In order to relax you need to ensure you are breathing properly. When you are anxious or tense there is a tendency to either hold your breath or breathe rapidly and shallowly from the upper chest. Learning to take a deep, slow, complete breath will usually trigger a relaxation response.

Breathing exercises to try:

 

  • Complete breathing – with each breath concentrate on the movement of the diaphragm. As you breathe in the diaphragm moves down creating a vacuum and drawing in air. This forces the abdomen out, the chest to expand and the rib cage to rise. Hold the breath for a few seconds. As you breathe out the abdomen pulls in, the chest and shoulders lower forcing the air out. Now let go of all muscular action so the abdomen and chest are completely relaxed.
  • Sighing – this can help reduce tension. Inhale slowly and hold the breath for 10 seconds feeling the tension build in the throat and chest. Exhale through the mouth with a slight sigh letting all the tension leave the body with the breath. The idea is to focus on the stillness after the sigh and just prior to the next inhalation.
  • Rhythmic breathing – breathe in to a count of 4, hold for a count of 4, exhale to a count of 4 and pause for a count of 4 before repeating.
  • 1:2 ratio – take a deep breath in to a count of 4 and then exhale to a count of 8. If you run out of breath before getting to 8 next time take a deeper breath and exhale more slowly. With practice you can increase this to 5 in and 10 out or 6 in and 12 out.
  • 5 to 1 – as you take a deep, slow breath in say the number 5 and then exhale fully. With the next breath in slowly say the number 4 and “I am more relaxed now than at 5”. Repeat until 1 is reached.
  • Concentration / mindfulness – focus your attention on the rhythm of your breathing without doing anything to influence it. Simply follow it in and out. If your mind wanders to something else direct your attention back to the breath and let the thought disappear. With each breath out, think of becoming more relaxed – you can even say to yourself “and relax”.

If your optimal level of arousal is more upbeat than relaxed you can generate energy by listening to upbeat music or physical exercise such as running, jumping or dancing. If that‘s not possible (or appropriate!) try the following breathing exercise:

  • Start by breathing in a relaxed, regular manner. Imagine with each breath you are generating more energy and activation. With each exhalation think about getting rid of any fatigue. Begin to increase your breathing rate as you increase the level of energy generation. It may help to say “energy in” with each inhalation and “fatigue out” with each exhalation.

It is impossible for a worried and anxious mind to exist in a calm and relaxed body – in other words do what you can to get a calm and relaxed body and your butterflies will fall into line!

  

You can find the first part of this two part article here > Getting Your Butterflies To Fly In Formation: A Guide To Using Anxiety To Benefit Performance - Part 1

The author of this article, Alison Lincoln, is a writer, coach and freelance groom. To find out more about her and her coaching work, please visit her website > https://www.alisonlincoln.co.uk/

  

References

  • The acquisition and development of cognitive skills and strategies: I. Making the butterflies fly in formation by Hanton & Jones in The Sport Psychologist (1999)
  • The effects of a multimodal intervention program on performers: II. Training the butterflies to fly in formation (1999)
  • Competitive Anxiety by Martens et al (1990)
  • Relaxation and energizing techniques for regulation of arousal by Williams & Harris in Applied Sport Psychology (2001)
  • A control perspective on anxiety by Carver & Scheier in Anxiety Research (1988)
Alison Lincoln
Horsemart Content Contributor
Published on 18-08-2020
With an Equine Science Degree, Alison has taught on higher education courses in colleges across the UK. Her book “Equine Sports Coaching” was published in 2008 and remains on the BHS recommended reading list for their coaching qualifications. In 2022, Alison released her latest book "Be Your Own Equine Sports Coach", in which she discusses how to build personalised strategies and learn about the techniques that will enable you to unleash your riding potential. She has trained and ridden her own horses to medium-level dressage, novice eventing, and foxhunter show jumping.